Peter Nitsch NFTs

I like the portraiture, I like the mix with fashion photography, I like the use of light he does…the images connect to one another. They all create, and this is something that is difficult, variations – they talk to each other, they complement each other.


CVRD #49 by Peter Nitsch, Tier 3

Collection: CVRD by Karin Apollonia Müller and Peter Nitsch
Number of plates: 66
Address: 0x091a82F897C3ba5242f87777019486AF33889814
Current floor price: 0.65 ETH

Karin Apollonia Müller and Peter Nitsch, both German lens-based artists, have been photographing covered cars over the last couple of years. Müller in Los Angeles, California, Nitsch in Bangkok, Thailand.

Müller uses an ethereal palette of muted tones during daylight to sunset whereas Nitsch makes use of the nightly silence of colored spotlights and vibrant fluorescent street lights. Müller consequently horizontal, Nitsch consequently vertical.

Developer Tray, Marlene #1

Collection: Developer Tray
Number of videos: 9
Address: 0xAFAca46F253c85D4BA372f82A8A4F4b0dd5D7dfC, peternitsch.eth
Current floor price: 0.60 ETH

Developer Tray is composed of a series of portrait photographs of Marlene, a young teenager I met occasionally to capture some photographs the way she wanted to see herself. These video portraits, swaying gently through water, look almost as though they are dancing and emerging from the darkness. The shifting forms of the faces interrupt the black backdrop, and become the focal point of this video painted developer trays.

The series encourages the viewer to slow down and cultivate a meditative practice of close looking to the passing of time, to the subtle energy that flows all around the developer tray – remembering the simplicity of form and motion.

Tango in the Big Mango

Collection: Tango in the Big Mango
Number of plates: 35
Address: 0xAf6C91A90D93075Db7A5cDc60D4cc612Aede0091
Current floor price: 0.29 ETH

“Many of the characters portrayed by Nitsch were interrupted in their daily chores and they seem to be looking at themselves in a mirror. And mankind needs a mirror! The mirror, as a symbol, is a proverbial representation of consciousness, imagination and thought, whose character has temporal and existential variability…In Tango in the Big Mango the portraits are an important part of the scaffold constructed for this photo book. The approach given by Nitsch, through the interconnections established with his senses, means that we are actually our mirror, which represents us in our condition of continous expectancy, thus remaining bound to crude materiality.” – JM Ramirez-Suassi

Greed. Growth. Angst

Collection: Greed. Growth. Angst
Number of plates: 9
Address: 0xAf6C91A90D93075Db7A5cDc60D4cc612Aede0091
Current floor price: 1.0 ETH

Politics, religion, cultural heritage, hyper-consumerism . . . all now collide powerfully in the contemporary psyche. The tree thematic series ‘Greed. Growth. Angst’—each both singly and collectively pointing to troubling undercurrents.

The 9 conceptual plates are part of the ‘Tango in the Big Mango’ collection of 160 photographs (published by Hatje Cantz, ISBN 978-3-7757-4824-7) – a Baudelaire-like photo imagination about Bangkok, working at a ground zero of now-ness.

The Sai Yong Hong Opera Troupe

Collection: The Sai Yong Hong Opera Troupe
Number of plates: 10
Address: 0xD10f2265827308957D31100f171403B4c574060d
Current floor price: 0.15 ETH

A behind-the-scenes look into ‘Chinese Opera in Thailand.’ A faint buzzing sound can be heard in the air. It smells like burnt tires, cooked bananas, and grilled squid – a porridge of diverse sounds and smells swirls around the body in the humid tropical air as entering Soi Charoen Krung 72/2 at 5 p.m.

A tiny concrete path penetrates deep into the backyards’ roofed labyrinth. A stage rises up into the gently lowering twilight sky at the end of the rabbit’s den. The performance starts at 8:00 p.m., but the story of the people behind the characters was told before the actual performance.